Selected Off-Broadway: LaMaMa - God
of Vengeance; Over
40 productions with The Pearl Theatre Co.- A
Taste of Honey, Uncle Vanya, And Away We Go by
Terrence McNally (world premiere), Hard
the Attic, Richard III (Bayfield
Award); National Yiddish Theatre – The
Sorceress, The Maiden of Ludmir (directed
by Robert Kalfin). Selected Regional: Two River, Philadelphia
Theatre Company, Milwaukee Rep., Virginia Stage, Cincinnati
Playhouse, Repertory Theatre of St. Louis.
Gillen* (Todd) Off-Broadway:
Happy End (Abingdon),
Regional: Hamlet in Hamlet
Rose Theater), Punk
Stage). Tour: Charlotte's
USA). NYC: Drunk
Day Hangover), Hamlet in Hamlet
Theatre). TV: "A Crime to Remember," "Pandora's
Box." B.A. Harvard University. philgillen.com.
Much love to AG and the Gs.
Kelley* (Eddie) works
in film, television, and is a veteran of more than 200 productions
in major regional theatres around the country. Working
in the classics, contemporary plays and musical theatre his
recent credits include: Atticus in To
Kill a Mockingbird [Orlando
Shakespeare], Andrew Wyke in Sleuth
Theatre], Vanya in Vanya,
Sonia, Masha & Spike [Riverside
Theatre] and Mr. MacAfee in Bye
Bye Birdie [Goodspeed].
Empire, Blue Bloods, The Blacklist, Law & Order: SVU,
Long* (Greg) recently
starred as James in NLTP's production of Time Stands Still.
Other recent credits: The Three Musketeers (Syracuse
Stage), My Three Angels (Barnstormers Theatre). Favorite
credits: Francis in One Man, Two Guvnors, Rosencrantz
in Hamlet, and Outlaw #3 in The Two Gentlemen
of Verona. Graduate of Notre Dame. www.johnlong.nyc
Tsoutsouvas* (Vernon) was
in the first class of the Juilliard Drama School and became
a founding-member of John Houseman’s The Acting Co. He has
performed on and off-B’way, in regional theatre, in film and
television and on audiobooks. On first national tours he was
Salieri in Amadeus
the title role in Stephen Daldry’s production of An
Roles in Shakespeare include Hamlet, Hotspur, Macbeth, Leontes,
Titus Andronicus, Petruchio, Berowne, Benedict, Antony, Brutus,
Shylock, Henry IV, Lucio, Coriolanus. He was Chris Christopherson
in Bob Kalfin’s production of Anna
will be seen this fall in the title role of Florian Zeller’s
Pittsburgh’s Kinetic Theatre where he is an associate artist.
ZanFagna (J.J.) Recent:
in Love With Mr. Dellamort (The
Slipper Room) and Chance
Fruit). Recent directing: Charlie’s
Feast), associate director for John Cameron Mitchell’s upcoming
Run crew at TFANA (The
Skin of Our Teeth and
eight more). This summer, Matthew is directing Utopia,
a play by Ty Baumann (Hudson Guild) and a concert-staging
a funk-folk musical by Jessica McIlquham.
Stage Manager: Craig M. Rosenthal*
Assistant Stage Manager: Lindsey Hurley
Production Assistant: Caitlyn Dominguez
House Manager: Juni Li
Technical Director: Evan Kutcher | ShopDog
Assistant to the Director: Chris Darbassie
Josephson (Playwright) is
a family physician in Martinez, CA. He has written seven full-length
plays: four naturalistic, one a bit more stylized, and two
farcical comedies. This is the first to have a New York production.
Visit his website.
founded the Chelsea
Theatre Center (1965-1984) and has directed over 600 shows
in readings, workshops and full productions, with a primary
focus on developing new works, spanning from Broadway, Off-Broadway
regional, and theaters around the world. Chelsea
On The Edge by
David Napoleon, details his contribution to the American Theater.
Streep, Christopher Lloyd), Yentl
With CTC, he co-produced Harold Prince's Candide.
He has served on the boards of SSDC and TCG and was named
a Legend of Off-Broadway by the Off-Broadway Alliance in 2015.
M.F.A. in Directing from Yale School of Drama.
Visit his website.
Barrett (Scenic & Prop Designer) is
a scenic designer based in New York City. In New York, she
has recently designed Merrily, Merrily and Life
is But a Dream with Spicy Witch Productions, Glassheart
with Everyday Inferno Theatre Company, and LoveCourt
with Isle of Shoals Productions. Regionally she has designed
Spider’s Web at The Bristol Valley Theater,
Joseph & the Amazing Technicolor Dreamcoat at
The Bigfork Summer Playhouse, and The Whipping Man
at Shadowland Stages. www.caitlynnbarrett.com
Evan Cohen (Sound & Projection Designer) NLTP
credits include: the
Still Dance The Stars,
The Soundless Awe.
Other recent credits: Swipe
Chekhov & Mr. Porter
(Medicine Show), If
(Cherry Lane), Hamlet
(Lighting Designer) Recent: Lucky Stiff (BVT), Lonely
Planet (Keen Co), Beyond
The Machine (Juilliard CIA); Henry V and Cymbeline
(Juilliard Drama); Associate to
Gallo on Three Tall Women (Broadway); Associate to
Mimi Sherin on The Hairy Ape
Ave Armory). Other Highlights: The Trial (Synaesthetic),
Veritas and Private Manning Goes to Washington
(The Representatives), Associate to Betsy Adams on The
(Tectonic). MFA, NYU. Member, USA829.
Stockton, CSA (Casting Director) has been a casting director
for over 40 years in regional and Off Broadway theaters. Highlights
include: BAFO, The Gift Horse, The Stone Carver (Dan
Luria), Willie B Came into the Sun, Awake and Sing
(Tovah Feldshuh, Stephen Lang, Avery Schreiber),
the Off-Broadway hit musical That’s Life!, Picon Pie (June
Gable). Recent favorites: Mass Appeal 1943 and now
The Property. Films include: Pandora’s Box (Joe
Montegna, Frances Fisher), Rain without Thunder (Jeff
Daniels, Betty Buckley).
Cooper-Hecht (Costume Designer) is delighted to collaborate
again with Bob Kalfin. She has designed more than 400 productions
on Broadway, Off-Broadway, National & International Tours,
Regional, TV, and Opera, including productions with Tony Randall,
Jack Klugman, Carol Channing, Maurice Evans, Helen Hayes,
Robert Goulet, Eartha Kitt. A graduate of Boston University,
she has taught Costume Design at Marymount Manhattan College,
served on the board of the League of Professional Theatre
Women, and is a member of United Scenic Artists Local 829.
Light Theater Project (producer), founded by Sarah
Norris and Michael Aguirre, is an ensemble-driven theater
company that strives to capture the Little Theater Movement
(artistry over commerce; producing new and classic works)
in the NYC indie theater community. To accomplish this, New
Lightplaces the ensemble at the center of the process, where
all members, regardless of artistic role, bear weight and
voice to the stories selected to tell. New Light devises and
develops new work, brings classical texts and revivals to
life, and creates a spirit of community for all theatrical
collaborations. New Light illuminates other artists and companies
through a network of shared resources, such as The Spotlight
Series and Darkroom, while cultivating theatrical partnerships
around the world. The company's last offering was Hal
& Bee by Max Baker, a dark comedy about an aging
hippie couple trying to hold on to their bohemian roots directed
by Sarah Norris, March 10-31 at 59e59 Theaters. It will present
The Hollower by Lisa Birkenmeier, a modern haunt-comedy
exploring seventeenth century body witchcraft, directed by
Kristy Dodson May 17 to June 9 at Access Theater. For more
information, visit newlighttheaterproject.com.